IN SOCIAL SCULPTURE
= The living and independent social art
The coincidence of the biological, the personal and the social.
The space-time question as part of human ecology.
the existential problem of “thesis
The new ontology as a return to the roots of prehistory.
The regeneration of the body leads to the experience of an existential space
Art as kathexis and methexis (dive into cosmic space-time, composition with beings).
Work as seduction, motivation in life and the pursuit of happiness.
The revelation of the specific, the special, the tiny and the giant - universal.
The moral concept in smile and democracy.
The discovery of the lost being within the present civilization.
The liberation from the violence of power and the denial of the violence of the rule.
The work as a "living species".
Repels and transcends, - directly or in stages - the mental.
Participation as a kind of initiation.
The use of materials as biomorphic value.
Work as a vital energy and as a denial of fragmentation (Against morality as a movement of the form that opposes its content).
The integration in the social act and the elimination of the individual-social schism